Marsha Kinder, „The Meetings of Anna by Chantal Akerman”

„Film Quarterly” Vol. 33, No. 1 (Autumn, 1979) pdf Anna is a fictional version of Akerman (which she acknowledged following the screening at Filmex), just as Heinrich is presumably a member of her audience. The audience comes to the theater with expectations based on past film-viewing experience. Akerman cannot fulfill those expectations and remain true […]

Michael Covino „Wim Wenders: A Worldwide Homesickness”

O Die Angst des Tormanns beim Elfmeter, Alice in den Städten, Falsche Bewegung, Im Lauf der Zeit i Der amerikanische Freund. „Film Quarterly”, Vol. 31, No. 2 (Winter, 1977-1978) pdf Wenders’s films seem almost frivolous, off-the- cuff, alongside those of his compatriot Fassbinder, whose enormous energy and prolific output, along with his furiously conscious embracing of melodrama and his […]