teksty trzecie
ref./use

Archive for the ‘Concrete poetry’ Category

Charles A. Perrone, „From Noigandres to „Milagre da Alegria”: The Concrete Poets and Contemporary Brazilian Popular Music”

Maj 5, 2014

Latin American Music Review / Revista de Música Latinoamericana, Vol. 6, No. 1 (Spring – Summer, 1985) pdf   The first discussion of affinities between concrete poetry and Brazilian popular music dates to 1960, when critic Brasil Rocha Brito incorporated observations by Augusto de Campos into the first interpretative essay about Bossa Nova. Commenting on outstanding compositions […]

Charles A. Perrone, „Margins and Marginals: New Brazilian Poetry of the 1970s”

Kwiecień 3, 2014

Luso-Brazilian Review, Vol. 31, No. 1 (Summer, 1994) pdf   As for new Brazilian poetry – i.e. the output of poets born from the mid-1940s to the mid-1950s and representing emergent stylistic tendencies – the 1970s were marked by pluralism and contrast. While many individual approaches to lyrical expression and textmaking were taken, and shared […]

Siegfried J. Schmidt, „Perspectives on the Development of Post-Concrete Poetry”

Marzec 25, 2013

„Poetics Today”, Vol. 3, No. 3, Poetics of the Avant-Garde (Summer, 1982) pdf The fundamental dilemma of concrete poetry has arisen through its attempt since World War II to revive developments in art and literature from V. Chlebnikov to M. Duchamp, and from the Dadaists to the Surrealists, with certain modifications. This dilemma could be […]

Dworkin, Goldsmith „Against Expression: An Anthology of Conceptual Writing”

Styczeń 11, 2013

Cóż, nie idzie tak jak miało. Za mało siły, przekonania albo za dużo wątpliwości. Ale żeby coś tu się działo – wykpię się repostem. Przypuszczam, że większość odwiedzających tę stronę zna fantastyczny Monoskop Log i regularnie z niego korzysta. Mim to pozwolę sobie zwrócić szczególną uwagą, na antologię pod redakcją Craiga Dworkina i Kennetha Goldsmitha, […]